Indra's Web weaves together weighty downtempo electronica with swooning modern classical, with Jones backed up on more than half of the album by three string players from the New Millennium Orchestra. Jones is also credited with vocals, mixing, programming and Rhodes, and the album also features a live drummer, a clarinetist and a vocalist.
In addition to the graceful strings, the album is marked by a hefty bottom end and gently skittering percussion. And the intricate and spellbinding compositions, which do full justice to the album's name. Indra's Web is a metaphor found in Buddhism and Hinduism for "the structure of reality, representing the interconnectedness and interdependency of all things, describing a rich and diverse universe where infinitely repeated mutual relations exist between all its elements and entities."
That's as good a way as any to describe the music. It immediately grabs hold of you and sucks you in but the songs are not so easily digested on first listen. They're subtle and, like elaborate labyrinths, they take time to reveal themselves. You need to explore the nooks and crannies before you can find your way out. But they're beautiful, enchanted labyrinths, green and flowery, and time moves in hazy slow motion inside them.
I will resist the urge to discuss individual songs (except to say that the one-two punch of On the Drift and Point of Existence is a knockout). Suffice it to say that Indra's Web is an extremely rewarding album and unique in the way it combines beat-driven electronic music with classical moods. It's seamlessly done, blurring completely the lines between genres. It's as good an illustration as any of the inevitable futility of categorizing art. This is simply beautiful music that will endure.
RwTLoz I want to say - thank you for this!
Posted by: lilikindsli | Sep 29, 2009 at 10:24 PM